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'title' => 'Style Guide',
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'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
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'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
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At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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'soundbite' => 'Get involved in Oxford’s Drama Cuppers competition for freshers – open to everyone this November',
'duration' => '0',
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The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
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Promote your plays online for free ',
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'summary' => 'Any student interested in the theatre (with an ac.uk email address) can review for us. To get your free ticket to the first night performance and to be published online, request to review the play of your choice by going onto the event’s page or your ‘my reviews’ page.
NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
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'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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VenuesController::view() - APP/Controller/VenuesController.php, line 1312
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1315]
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$events = array(
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'Events' => array(
'id' => '4e8791aa-96a4-4a8d-93ea-0a8fc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
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'modified' => '2011-10-01 23:18:18',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Online Theatre Print',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'The UK’s first print company aimed directly at student dramatics. Professional services at student prices.
',
'duration' => '0',
'summary' => 'At onlinetheatreprint.com we offer incredibly competitive rates for flyer and poster printing, as well as many other products. We're confident we can beat any quote you've found online so please contact us if you've received a quote from elsewhere and, subject to our terms & conditions, we'll do our very best to beat it for you.
At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
),
'Route' => array(
'id' => null,
'url' => null
)
),
(int) 1 => array(
'Events' => array(
'id' => '4e87930d-490c-4c72-9bf1-0a8cc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:24:13',
'modified' => '2011-10-01 23:24:13',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Style Guide',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
'summary' => 'We don't edit your reviews. Instead we give you space to experiment with and hone your own individual writing style. We do have some basic rules and general advice, which we expect you to be familiar with before you write your first review for us. Remember: any student can be an OTR reviewer, no experience necessary and no huge time commitment required; all spaces are allocated on a first come first served basis.'
),
'Route' => array(
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),
(int) 2 => array(
'Events' => array(
'id' => '4e8793a9-6004-46e5-a017-0a8dc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:26:49',
'modified' => '2011-10-01 23:26:49',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'About us in Oxford and at the Edinburgh Fringe Festival',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => '“OTR resists being clique-y and elitist because it’s open to everyone” Natalya Din-Kariuki, 3rd year undergraduate, Oxford University',
'duration' => '0',
'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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),
(int) 3 => array(
'Events' => array(
'id' => '4e879734-f1dc-4f4c-a85a-0b17c3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:41:56',
'modified' => '2011-10-01 23:41:56',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'About Oxford Theatre',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Get involved in Oxford’s Drama Cuppers competition for freshers – open to everyone this November',
'duration' => '0',
'summary' => 'The Oxford drama scene is diverse and exciting, with theatre opportunities ranging from a half hour performance in the Freshers-only college Cuppers competition (which hinges on about a week’s worth of rehearsals and a £50 budget) to a week’s run at the Oxford Playhouse, Oxford’s main professional venue, which houses 600 and showcases two student plays a term.
The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
'
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'first_when' => '2011-10-01 23:40:00',
'last_when' => '2011-10-01 23:40:00',
'first_unix' => (int) 1317508800,
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(int) 4 => array(
'Events' => array(
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'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:45:10',
'modified' => '2011-10-01 23:45:10',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'How OTR Works',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'How to become a reviewer
Promote your plays online for free ',
'duration' => '0',
'summary' => 'Any student interested in the theatre (with an ac.uk email address) can review for us. To get your free ticket to the first night performance and to be published online, request to review the play of your choice by going onto the event’s page or your ‘my reviews’ page.
NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
'
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'first_when' => '2011-10-01 23:45:00',
'last_when' => '2011-10-01 23:45:00',
'first_unix' => (int) 1317509100,
'last_unix' => (int) 1317509100
)
),
(int) 5 => array(
'Events' => array(
'id' => '4e87984a-026c-4824-a6d3-0b1ec3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:46:34',
'modified' => '2011-10-02 19:06:10',
'published' => '2011-10-02 19:06:10',
'status' => 'published',
'title' => 'Oxford Theatre Review',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
'
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(int) 5 => '4e87984a-026c-4824-a6d3-0b1ec3038806'
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'4e87984a-026c-4824-a6d3-0b1ec3038806' => (int) 5
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'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:18:18',
'modified' => '2011-10-01 23:18:18',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Online Theatre Print',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'The UK’s first print company aimed directly at student dramatics. Professional services at student prices.
',
'duration' => '0',
'summary' => 'At onlinetheatreprint.com we offer incredibly competitive rates for flyer and poster printing, as well as many other products. We're confident we can beat any quote you've found online so please contact us if you've received a quote from elsewhere and, subject to our terms & conditions, we'll do our very best to beat it for you.
At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
),
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'last_when' => '2011-10-01 23:45:00'
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$event_id = '4e8797f6-7d04-453d-ae5c-0b22c3038806'
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'event_id' => '4e8797f6-7d04-453d-ae5c-0b22c3038806',
'first_when' => '2011-10-01 23:45:00',
'last_when' => '2011-10-01 23:45:00'
)
$current_events = array()
$old_events = array()
$now = (int) 1540196086
VenuesController::view() - APP/Controller/VenuesController.php, line 1315
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1312]
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'Events' => array(
'id' => '4e8791aa-96a4-4a8d-93ea-0a8fc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:18:18',
'modified' => '2011-10-01 23:18:18',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Online Theatre Print',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'The UK’s first print company aimed directly at student dramatics. Professional services at student prices.
',
'duration' => '0',
'summary' => 'At onlinetheatreprint.com we offer incredibly competitive rates for flyer and poster printing, as well as many other products. We're confident we can beat any quote you've found online so please contact us if you've received a quote from elsewhere and, subject to our terms & conditions, we'll do our very best to beat it for you.
At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
),
'Route' => array(
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(int) 1 => array(
'Events' => array(
'id' => '4e87930d-490c-4c72-9bf1-0a8cc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:24:13',
'modified' => '2011-10-01 23:24:13',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Style Guide',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
'summary' => 'We don't edit your reviews. Instead we give you space to experiment with and hone your own individual writing style. We do have some basic rules and general advice, which we expect you to be familiar with before you write your first review for us. Remember: any student can be an OTR reviewer, no experience necessary and no huge time commitment required; all spaces are allocated on a first come first served basis.'
),
'Route' => array(
'id' => null,
'url' => null
)
),
(int) 2 => array(
'Events' => array(
'id' => '4e8793a9-6004-46e5-a017-0a8dc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:26:49',
'modified' => '2011-10-01 23:26:49',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'About us in Oxford and at the Edinburgh Fringe Festival',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => '“OTR resists being clique-y and elitist because it’s open to everyone” Natalya Din-Kariuki, 3rd year undergraduate, Oxford University',
'duration' => '0',
'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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(int) 3 => array(
'Events' => array(
'id' => '4e879734-f1dc-4f4c-a85a-0b17c3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:41:56',
'modified' => '2011-10-01 23:41:56',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'About Oxford Theatre',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Get involved in Oxford’s Drama Cuppers competition for freshers – open to everyone this November',
'duration' => '0',
'summary' => 'The Oxford drama scene is diverse and exciting, with theatre opportunities ranging from a half hour performance in the Freshers-only college Cuppers competition (which hinges on about a week’s worth of rehearsals and a £50 budget) to a week’s run at the Oxford Playhouse, Oxford’s main professional venue, which houses 600 and showcases two student plays a term.
The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
'
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'first_when' => '2011-10-01 23:40:00',
'last_when' => '2011-10-01 23:40:00',
'first_unix' => (int) 1317508800,
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'Events' => array(
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'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:45:10',
'modified' => '2011-10-01 23:45:10',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'How OTR Works',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'How to become a reviewer
Promote your plays online for free ',
'duration' => '0',
'summary' => 'Any student interested in the theatre (with an ac.uk email address) can review for us. To get your free ticket to the first night performance and to be published online, request to review the play of your choice by going onto the event’s page or your ‘my reviews’ page.
NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
'
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'first_when' => '2011-10-01 23:45:00',
'last_when' => '2011-10-01 23:45:00',
'first_unix' => (int) 1317509100,
'last_unix' => (int) 1317509100
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),
(int) 5 => array(
'Events' => array(
'id' => '4e87984a-026c-4824-a6d3-0b1ec3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:46:34',
'modified' => '2011-10-02 19:06:10',
'published' => '2011-10-02 19:06:10',
'status' => 'published',
'title' => 'Oxford Theatre Review',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
'
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(int) 5 => '4e87984a-026c-4824-a6d3-0b1ec3038806'
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'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
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'published' => '2011-10-02 01:21:06',
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'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
'summary' => 'We don't edit your reviews. Instead we give you space to experiment with and hone your own individual writing style. We do have some basic rules and general advice, which we expect you to be familiar with before you write your first review for us. Remember: any student can be an OTR reviewer, no experience necessary and no huge time commitment required; all spaces are allocated on a first come first served basis.'
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(int) 197001 => array(
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[maximum depth reached]
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VenuesController::view() - APP/Controller/VenuesController.php, line 1312
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1315]
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$parseUUID = '7c8013ef-ec63-11e0-80f6-001d7d0b7a94'
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At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
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'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
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'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
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'published' => '2011-10-02 01:21:06',
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'title' => 'About us in Oxford and at the Edinburgh Fringe Festival',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
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'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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'soundbite' => 'Get involved in Oxford’s Drama Cuppers competition for freshers – open to everyone this November',
'duration' => '0',
'summary' => 'The Oxford drama scene is diverse and exciting, with theatre opportunities ranging from a half hour performance in the Freshers-only college Cuppers competition (which hinges on about a week’s worth of rehearsals and a £50 budget) to a week’s run at the Oxford Playhouse, Oxford’s main professional venue, which houses 600 and showcases two student plays a term.
The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
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'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
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Promote your plays online for free ',
'duration' => '0',
'summary' => 'Any student interested in the theatre (with an ac.uk email address) can review for us. To get your free ticket to the first night performance and to be published online, request to review the play of your choice by going onto the event’s page or your ‘my reviews’ page.
NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
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'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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VenuesController::view() - APP/Controller/VenuesController.php, line 1315
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1312]
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VenuesController::view() - APP/Controller/VenuesController.php, line 1312
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1315]
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At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
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After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
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Promote your plays online for free ',
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NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
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OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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VenuesController::view() - APP/Controller/VenuesController.php, line 1315
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
Notice (8): Undefined index: FirstAndLast [APP/Controller/VenuesController.php, line 1312]
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At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
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'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
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'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
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'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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'duration' => '0',
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The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
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Promote your plays online for free ',
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NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
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'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 490
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 187
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
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At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
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'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
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'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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The Oxford drama scene is well organised, easy to do – great Cuppers. Lot of support out there for you, lots of workshops – just about being aware that there are deadlines but otherwise = nurtured through the process. Several key venues with stuff on, diverse – college, professional – Oxford Playhouse productions
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Promote your plays online for free ',
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NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
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OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
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(int) 0 => array(
'Events' => array(
'id' => '4e8791aa-96a4-4a8d-93ea-0a8fc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:18:18',
'modified' => '2011-10-01 23:18:18',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Online Theatre Print',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'The UK’s first print company aimed directly at student dramatics. Professional services at student prices.
',
'duration' => '0',
'summary' => 'At onlinetheatreprint.com we offer incredibly competitive rates for flyer and poster printing, as well as many other products. We're confident we can beat any quote you've found online so please contact us if you've received a quote from elsewhere and, subject to our terms & conditions, we'll do our very best to beat it for you.
At onlinetheatreprint.com we truly believe that online-printing is the way forward. The money we save by not having a shop on the High Street is passed directly on to you, so we are truly confident that we can beat any other printing quote you may have already received. And don't worry, whilst we understand that using an online printers can be slightly daunting, we are always more than happy to send out sample packs so that you know exactly what you are getting, and there will always be someone at the end of a phone to give you any information or help that you might need. All of our final printed products are couriered directly to you from the printing presses. Again, don't worry - this service is included in our great low prices.'
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(int) 1 => array(
'Events' => array(
'id' => '4e87930d-490c-4c72-9bf1-0a8cc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:24:13',
'modified' => '2011-10-01 23:24:13',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'Style Guide',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'Your first paragraph should clearly set up where the review is heading: was the show a triumph or a flop?',
'duration' => '0',
'summary' => 'We don't edit your reviews. Instead we give you space to experiment with and hone your own individual writing style. We do have some basic rules and general advice, which we expect you to be familiar with before you write your first review for us. Remember: any student can be an OTR reviewer, no experience necessary and no huge time commitment required; all spaces are allocated on a first come first served basis.'
),
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),
(int) 2 => array(
'Events' => array(
'id' => '4e8793a9-6004-46e5-a017-0a8dc3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:26:49',
'modified' => '2011-10-01 23:26:49',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'About us in Oxford and at the Edinburgh Fringe Festival',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => '“OTR resists being clique-y and elitist because it’s open to everyone” Natalya Din-Kariuki, 3rd year undergraduate, Oxford University',
'duration' => '0',
'summary' => '“OTR resists being clique-y and elitist because it’s open to everyone – every opinion is important, which I think is what makes OTR stand out.” Natalya Din-Kariuki, 3rd year English undergraduate, Oxford University
At the start of our second year at Oxford (in October 2009), we took up positions as co-editors of Oxford Theatre Review, a web-based university society that had all but been forgotten about by the student body, with an outdated mail-list, sporadic reviews (without star ratings), and a website that was extremely difficult to navigate. We completely re-designed the website, re-branded it oxfordtheatrereview.com, and came up with the idea that publishing two reviews of each show, as well as encouraging comment, is a far more constructive approach to a piece of theatre than a single review. We launched the new site at Oxford’s Freshers’ fair in October 2009 where we started a new mail-list and sought to re-establish Oxford Theatre Review as the place to go for first night reviews of student, amateur and professional plays in Oxford. Since our launch in 2009 we have amassed a mail-list of over 1,500 students, 350 keen student reviewers, 26 editorial team members, 57,000 unique visitors, 270,000 page views and Credit Suisse’s sponsorship. We have played an extremely important role in raising the profile of New Writing plays (publishing rehearsal blogs, interviews and the author’s favourite extract from his script), the New Writing Festival and Cuppers Drama Festival, using radio and films to extend our reach.
After graduating from Oxford this summer, we launched our second sub-site edfringereview.com at the Edinburgh Fringe Festival (August 2011), where we took a team of nearly fifty student reviewers from Bristol, Cambridge, Durham and Oxford. Thanks to RBS’s generous sponsorship we were able to promote our new site by flyering on the Royal Mile and sporting EFR jumpers to every show reviewed. We worked hard to promote an extremely stimulating part of the Fringe that is often marginalised and under-publicised by the established publications, covering primarily student and Free Fringe theatre. We sent two reviewers to 251 productions across the month and gained nearly 10,000 unique visitors and 72,000 page impressions. The success of edfringereview.com proved to us that OTR fills a vitally important niche in the theatre world by celebrating young talent and publicising those hidden gems – small-scale projects worthy of full auditoriums that are overlooked by larger national publications.'
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(int) 3 => array(
'Events' => array(
'id' => '4e87984a-026c-4824-a6d3-0b1ec3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:46:34',
'modified' => '2011-10-02 19:06:10',
'published' => '2011-10-02 19:06:10',
'status' => 'published',
'title' => 'Oxford Theatre Review',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'we like plays. do you?',
'duration' => '0',
'summary' => 'This October, Online Theatre Review (OTR) launches four new websites in Bristol, Cambridge, Durham, and – the place of its original conception – in Oxford. We hope to have an immediate local presence in each city, while providing people with the opportunity to promote their work through a nationally recognised medium. In Bristol, we hope to make reviewing and theatre more accessible and inclusive. We want to attract diverse audiences to the theatre and hope that our national framework will help to consolidate the links Bristol University has already made with other universities in the Inter-University New Writing Competition it launched last year.
OTR sends two students to review the first night performance of all student, amateur and professional productions in their university city. OTR’s policy of publishing two reviews of every production is designed to initiate debate, creating a new way of writing about and responding to theatrical events. Our greatest strength is that we are exclusively online: we can be a dynamic, interactive and ever-expandable cultural resource. Our users will post their own event information, request to review online and submit their reviews via the site, leaving our editorial teams free to pursue new and creative ways of extending OTR’s reach.
OTR’s aim is to make theatre accessible to more people. Each sub-site will have a city-specific comprehensive calendar of local theatrical events, and any student theatre-enthusiast can review for us (free tickets for reviewers are decided on a first come first served basis). Profile pages will document participants’ contribution to theatre and/or journalism and will serve as a testament to their hard work and as a springboard from which to launch a professional career.
'
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$event = array(
'Events' => array(
'id' => '4e8797f6-7d04-453d-ae5c-0b22c3038806',
'network_id' => '4e6a384f-a78c-4bd5-9020-1161c3038806',
'owner_id' => '4e876ddd-f648-4643-a562-08181758cb59',
'created' => '2011-10-01 23:45:10',
'modified' => '2011-10-01 23:45:10',
'published' => '2011-10-02 01:21:06',
'status' => 'published',
'title' => 'How OTR Works',
'playwright' => 'Online Theatre Review',
'company_id' => '81e0c8cd-ec5c-11e0-80f6-001d7d0b7a94',
'venue_id' => '7c8013ef-ec63-11e0-80f6-001d7d0b7a94',
'soundbite' => 'How to become a reviewer
Promote your plays online for free ',
'duration' => '0',
'summary' => 'Any student interested in the theatre (with an ac.uk email address) can review for us. To get your free ticket to the first night performance and to be published online, request to review the play of your choice by going onto the event’s page or your ‘my reviews’ page.
NB: the request to review facility will be opened for each event on the Sunday a week and a half preceding its first night performance.
Although you are only able to request to review one play at the beginning, the more plays you successfully review within the time frame allocated, the more you will be eligible to request at any one time.
'
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'FirstAndLast' => array(
'event_id' => '4e8797f6-7d04-453d-ae5c-0b22c3038806',
'first_when' => '2011-10-01 23:45:00',
'last_when' => '2011-10-01 23:45:00',
'first_unix' => (int) 1317509100,
'last_unix' => (int) 1317509100
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include - APP/View/Venues/view.ctp, line 144
View::_evaluate() - CORE/Cake/View/View.php, line 945
View::_render() - CORE/Cake/View/View.php, line 907
View::render() - CORE/Cake/View/View.php, line 471
Controller::render() - CORE/Cake/Controller/Controller.php, line 952
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 194
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 162
[main] - APP/webroot/index.php, line 104
